“Dust Collector.” April 16, 2009. Hultkrans, Andrew.
“Rarely are cultural events so fortuitously mirrored by their venues as Monday’s group reading in honor of Library of Dust, David Maisel’s recent book of photographs of psychedelically corroded copper canisters encasing the ashes of unclaimed Oregon lunatics. Inside the Angel Orensanz Foundation for the Arts on Norfolk Street, formerly one of the oldest synagogues in New York, the images—hung on the cobalt-blue peeled-paint walls and projected on-screen behind the altarlike stage—seemed to have always been there, matching their surroundings in hue and vibe, twin testaments to the stubborn efflorescence of decay. Sponsored by the New York Institute for the Humanities at NYU, the long, contemplative event applied layers of interpretation to the work as varied, inconsistent, and occasionally brilliant as the corrosion adorning the canisters. In tribute to the mental hospital’s nameless dead—whose identifying labels have been obscured by time—I will efface some of the thirteen participants.”